Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

A joyous and buoyant work from Dutch Renaissance composer Jan Sweelink, this edition moves the work to a slightly lower key and includes performance suggestions from the editor. A fantastic work for

This challenging motet in Latin for six unaccompanied voices is an example of the height of Renaissance polyphony in England. Piano reduction included.

Here is the famous madrigal by Thomas Morley in a stylistically authentic performance edition. Ideal for chamber, madrigal, and concert choirs, this cheerful work offers superb opportunities for developing

In this sensitive choral arrangement of Nimrod from Elgar's "Enigma Variations," the Eucharistic hymn O salutaris Hostia, written by St. Thomas Aquinas for the Feast of Corpus Christi. The

The second of six motets in Sechs Spruche, opus 79, is homophonic and stoic in nature. In this edition, the vowels of the words are placed directly below the written pitches, which agrees with Mendelssohn's

The exquisite musical lines and vocal parts that are written in ideal tessiture make this not only a pleasure to sing but also a fantastic teaching piece. With many teaching and performing suggestions

This well-known motet by Heinrich Schutz is more accessible than ever in this arrangement for a cappella SSATBB choirs. This edition contains conservative ranges with added dynamics and articulations to

The eleventh movement from Bach's Magnificat is a wonderful introduction to polyphonic singing for mixed choirs. This updated edition of the masterwork may be performed with the notated keyboard reduction

An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made

For a mixed choir of six unaccompanied voices, this beautiful polyphonic work is a lament in English which demonstrates how English composers approached chromaticism during the Renaissance. Piano reduction